Janet Robin: Biography and Background
“Working with Janet was an unforgettable experience. She followed her spirit – no limits. Janet’s love for her art is evident in her impassioned musicianship and inspired songwriting. The music we created together, vibrant and full of energy, encapsulates all that she is.”
-John Carter Cash (Producer, owner Cash Cabin Studios)
“The track ‘Dream Baby’ is a haunting cover of the Roy Orbison classic, with Sheryl Crow-inspired layered harmonies and a retro-renegade edge that makes this a stand-out on the record.” – Music News Nashville
“From Randy Rhoads to Precious Metal, Lindsey Buckingham to John Carter Cash and all points in between – like a stint working with Meredith Brooks, opening for Midge Ure or appearing with Monte Montgomery – the ongoing tale of singer/guitarist/songwriter Janet Robin is a fascinating journey.” – Pollstar
Janet Robin can be defined in a single word: musician.
Many people attempt to make music, but few earn that illustrious title. Those in this business reserve that label for the rare individuals who consistently demonstrate a high level of talent, perseverance, taste and sensitivity over a period of time. To these people making music is not simply a pastime; it is a matter of blood and guts. That a serious addiction to making music runs through Robin’s veins is made clear from a quick review of her career.
A Southern California native, Robin’s musical education began the moment she met her guitar teacher, Randy Rhoads (Quiet Riot, Ozzy Osbourne). Under Rhoads’ tutelage, Robin became an ace six-string player and, while still in high school, parlayed this education into a position as the lead guitarist for the all-female rock band Precious Metal. Discovered by Rodney Bingenheimer of the legendary L.A. rock radio station KROQ, Precious Metal was soon signed to Polygram Records. Later moving to Chameleon/Capitol Records, Precious Metal released several albums, wrote with Heart, Poison and Cheap Trick, toured extensively and gained accolades from both fans and critics alike.
Following the demise of Precious Metal, Robin joined Fleetwood Mac guitarist Lindsey Buckingham’s band in support of his 1992 solo album, Out of the Cradle (Reprise Records). A consummate pro, working with Buckingham profoundly influenced Robin’s guitar playing, singing and songwriting, as well as her general approach to the music business. This new direction led to Robin’s 1998 debut solo album, Open the Door. Released on her own label, Little Sister Records, Buzz Weekly described the CD as “smart, savvy, fuzzy, hooky pop.” She has seen songs from this album featured in film and television; most notably on the then popular T.V. show Felicity. Ever the road warrior, she supported the disc by opening for such acts as Heart, Loudon Wainwright III and the Smithereens, steadily building a wide fan base. Robin has since continued to tour heavily and averages as many as 150 dates per year.
Encouraged by the warm reception of her debut, Robin released three more albums on Little Sister including the acoustic After the Flood which was recorded in Laurel Canyon and features “Beautiful Freak” which has since become a fan favorite and one of Robin’s defining songs.
Also among these records is 2007’s Days of Summer. Recorded with producers David Bianco (Tom Petty, Teenage Fanclub, Mick Jagger) and Steve Baughman (Eminem, 50 Cent), this acoustic based EP is the work of an artist willing and able to explore the poignant emotional states of adulthood while avoiding the stereotypes brought on by most acoustic singer-songwriters. Working on the album was an experience that greatly affected her style and led Robin to many new and exciting opportunities including multiple tours of the Czech Republic.
2012 here in the USA, saw Robin release her newest album Everything Has Changed that bridges the gap between passionate acoustic music and gutsy rock n’ roll. With the help of her dedicated fan base, Robin was able to raise the funds ($20,000) for this latest studio effort. This loyal support enabled her to team up with producer John Carter Cash (Johnny Cash, June Carter Cash, The Nitty Gritty Dirt Band) at Cash Cabin Studios outside of Nashville. The son of Johnny and June, Carter Cash was a producer on the Johnny Cash biopic Walk The Line and produced several records with his father as well as a Grammy Award winning record for June. Built by Johnny in 1979, this studio is where the country legend recorded much of his later work including his final recording, American V: A Hundred Highways, which was released posthumously and co-produced by Rick Rubin and John Carter. "We have talked at great length about this project and he understands my desire and vision to record an album that is representative of the energy brought out in my live performances," Robin says of Carter Cash. "It’s just great to work with a producer that lets me be myself, yet brings out the best in my work. There weren’t many restraints working with John and the vibe and history at Cash Cabin is overwhelmingly inspiring. John seems to ‘get me.’”
Robin previously released “Everything Has Changed,” in Europe, with Hypertension Music based in Hamburg, Germany. Coupled with the strength of her growing European following and introduced to the German based label by friend and frequent touring partner Colin Hay (Men At Work), Robin signed a licensing and distribution deal with Hypertension for a Winter 2010 European release of Everything Has Changed. The company also did the booking for Robin throughout Europe and after the initial release in Europe, she secured a January 2010 tour with Midge Ure (Ultravox – co-organizer of Live Aid, Band Aid and Live 8). She has since had several successful headlining tours in the Czech Republic, Poland, Germany, UK, and France where she played with a her band to sold out crowds (200-400 cap venues) across the country. In May of 2013, she released her first "live" CD, recorded on her one of her European tours in France.
In addition to pursuing her solo career both in the U.S. and abroad, few musicians are able to work with the great variety of artists that Robin has been fortunate enough to be around. Besides the aforementioned Lindsey Buckingham, Robin has toured, performed with, recorded, or written songs with Tommy Emmanuel, Peppino D’Agostino, Meredith Brooks, Monty Montgomery, Michelle Shocked, Maia Sharp, Marcy Levy (co-writer with Eric Clapton on “Lay Down Sally”), Ann and Nancy Wilson (Heart), Garrison Starr, Anne McCue and many more. Her most recent side-woman gig was the touring guitarist of Air Supply in 2009. Touring nearly 150 dates a year with her own project, she has seen her solo career rise to higher and higher levels each year.
Robin has also had songs placed in TV and films such as “One Life to Live,” “All my Children,” “Felicity,” “Free Enterprise,” and many more. She has also recently completed the original score for the short film “Traces” directed by Joseph Culp (actor Robert Culp’s son) and the film was accepted into the prestigious Palm Springs Short Film Festival and the Hollywood Film Awards, in June 2012.
However, one need not base their judgment on Robin solely on those with whom she has been associated. Only a listen to her albums or a ticket to one of her shows will prove the opening claim to be true. For what underlies the Janet Robin labels of singer, guitarist, songwriter, producer, and road warrior is a single word: musician.
Janet Robin conducts guitar workshops, has hosted DVD recordings for Alfred Music Publishing, and is a respected clinician for Turner-Renaissance Guitars, Line 6. Taylor Guitars, Fender Guitars, Martin Guitars, Turner-Renaissance, Seymour Duncan, Audix, Martin Guitars, Daisy Rock, DR Strings, Clayton Picks, The Engle, Thimble Slide also endorse her, amongst others.
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